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Nr 8/2025
EDYTORIAL: BEHIND A PANE OF THIN GLASS

painting

art competitions, painting, field of art, contemporary art, vehicles for advancement, conservative shift  
No 6/2024
WHAT MAY BE SEEN AND WHY THAT EXACTLY? ART COMPETITIONS IN THE CONTEXT OF THE CONSERVATIVE SWING

WHAT MAY BE SEEN AND WHY THAT EXACTLY? ART COMPETITIONS IN THE CONTEXT OF THE CONSERVATIVE SWING

Aleksy Wójtowicz
history of art, krytyka artystyczna, painting, satyra, contemporary art  
No 4 / 2023
‘ACCURSED’ OR ABSENT? CRITICS TOWARDS THE WORKS OF JERZY DUDA-GRACZ

‘ACCURSED’ OR ABSENT? CRITICS TOWARDS THE WORKS OF JERZY DUDA-GRACZ

Agnieszka Jankowska‑Marzec
chrześcijaństwo, instytucje kultury, painting, metafizyka, nowe media, postchrześcijaństwo, religion, contemporary art  
No 4 / 2023
METAPHYSICAL, RELIGIOUS AND SACRED ART IN POLAND: SKETCH FOR A PANORAMA

METAPHYSICAL, RELIGIOUS AND SACRED ART IN POLAND: SKETCH FOR A PANORAMA

Łukasz Murzyn
magic, painting, szmaragd  
No 2/2022
DUCH SZMARAGDU

DUCH SZMARAGDU

Henryk Waniek
intymność, painting, Maria Anto, oniryzm, poezja, utopia  
No 2/2022
‘I AM A VERY SENSITIVE MEDIUM’. ON THE ONEIRICALLY POETIC OEUVRE OF MARIA ANTO

‘I AM A VERY SENSITIVE MEDIUM’. ON THE ONEIRICALLY POETIC OEUVRE OF MARIA ANTO

Aleksandra Grzemska