EDYTORIAL: BEHIND A PANE OF THIN GLASS
Szymon Zakrzewski
Irfan Hošić
IRFAN HOŠIĆ, DESIGN AGAINST CRISIS: DIFFUSE DESIGN PRACTICES AND COMMUNITY AGENCY IN DETROIT
(tłumaczenie Monika Ujma)
1E. Manzini, Design, When Everybody Designs, Cambridge, MA 2015, s. 37–40.
2Th.J. Sugrue, The Origins of the Urban Crisis. Race and Inequality in Postwar Detroit, Princeton, NJ 2005, s. 47.
3S. Zacks, Inclusivity and Economic Development Emerge as Top Themes at Detroit Month of Design, „Metropolis”, 30.09.2019, <https://www.metropolismag.com/cities/detroit‑month‑of‑design‑2019/> [dostęp: 30.09.2025].
4J. Gill, Jesse Sugarmann’s ‘We Build Excitement’ Commemorates the Rise and Fall of the American Auto Industry, Creative‑Capital.org, 30.03.2014, <https://creative‑capital.org/2014/03/30/jesse‑sugarmann‑we‑build‑excitement/> [dostęp: 30.09.2025].
5Th.J. Sugrue, dz. cyt., s. 128.
6E. Hood, Detroit: The Prospect of Post‑Capitalism, 2011, s. 3 [referat wygłoszony na Conference on College Composition and Communication].
7Th.J. Sugrue, dz. cyt., s. 296.
8D. Aubert, The Detroit Printing Co‑op. The Politics of the Joy of Printing, Los Angeles 2019, s. 12.
9E. Manzini, dz. cyt., s. 37–40.
10E. Hood, dz. cyt., s. 2.
11D. Archambault, Brightmoor: ‘Feisty’ Neighbors Use Hope, Innovation to Face Struggles, „Model D.”, 29.09.2009, <https://www.modeldmedia.com/features/brightmoor0909.asp> [dostęp: 30.09.2025].
12Tamże.
13City Connect Detroit, A Basic Community Profile: Brightmoor, 2006, <https://www.webcitation.org/6Brqomujh?url=http://www.ssw.umich.edu/public/currentProjects/goodNeighborhoods/BrightmoorBasicCommProfFinal.pdf> [dostęp: 30.09.2025].
14E. Manzini, dz. cyt., s. 189.
15E. Hood, dz. cyt., s. 8.
16C. Bishop, Sztuczne piekła. Sztuka partycypacyjna i polityka widowni, przeł. J. Staniszewski, Warszawa 2015, s. 242.
17B. Hunter, Brightmoor Trike Project pedals into Downtown Detroit, „Michigan Cronicle”, 10.06.2019, <https://michiganchronicle.com/2019/06/10/brightmoor‑trike‑project‑pedals‑into‑downtown‑detroit/#/?playlistId=0&videoId=0> [dostęp: 30.09.2025].
18G. Innella, M. Petroni, Going real: The value of design in the era of post‑capitalism, Nairobi 2019, s. xi.
19A. Sirota, Politics of Aesthetics. Out of Site, „One Mile” 2017, s. 87.
20G. Innella, M. Petroni, dz. cyt., s. xv.
21K. Holmes, Mismatch. How Inclusion Shapes Design, Cambridge, MA–London 2018, s. 38.
22M. Monteiro, Ruined by Design, San Francisco 2019, s. 11.
23A. Sirota, dz. cyt., s. 7.
24Tamże.
25J. Carlisle, Life in the Motor City, Cheltenham 2011, s. 7.
26C. Bishop, dz. cyt., s. 241.
Bibliografia
- Archambault D., Brightmoor: ‘Feisty’ Neighbors Use Hope, Innovation to Face Struggles, „Model D.”, 29.09.2009, <https://www.modeldmedia.com/features/brightmoor0909.asp> [dostęp: 30.09.2025].
- Aubert D., The Detroit Printing Co‑op. The Politics of the Joy of Printing, Los Angeles 2019.
- Bishop C., Sztuczne piekła. Sztuka partycypacyjna i polityka widowni, przeł. J. Staniszewski, Warszawa 2015.
- Carlisle J., Life in the Motor City, Cheltenham 2011.
- City Connect Detroit, A Basic Community Profile: Brightmoor, 2006, <https://www.webcitation.org/6Brqomujh?url=http://www.ssw.umich.edu/public/currentProjects/goodNeighborhoods/BrightmoorBasicCommProfFinal.pdf> [dostęp: 30.09.2025].
- Gill J., Jesse Sugarmann’s ‘We Build Excitement’ Commemorates the Rise and Fall of the American Auto Industry, Creative‑Capital.org, 30.03.2014, <https://creative‑capital.org/2014/03/30/jesse‑sugarmann‑we‑build‑excitement/> [dostęp: 30.09.2025].
- Holmes K., Mismatch. How Inclusion Shapes Design, Cambridge, MA–London 2018.
- Hood E., Detroit: The Prospect of Post‑Capitalism, 2011, s. 3 [referat wygłoszony na Conference on College Composition and Communication].
- Hunter B., Brightmoor Trike Project pedals into Downtown Detroit, „Michigan Cronicle”, 10.06.2019, <https://michiganchronicle.com/2019/06/10/brightmoor‑trike‑project‑pedals‑into‑downtown‑detroit/#/?playlistId=0&videoId=0> [dostęp: 30.09.2025].
- Innella G., Petroni M., Going real: The value of design in the era of post‑capitalism, Nairobi 2019.
- Manzini E., Design, When Everybody Designs, Cambridge, MA 2015.
- Monteiro M., Ruined by Design, San Francisco 2019.
- Sirota A., Politics of Aesthetics. Out of Site, „One Mile” 2017.
- Sugrue Th.J., The Origins of the Urban Crisis. Race and Inequality in Postwar Detroit, Princeton, NJ 2005.
- Zacks S., Inclusivity and Economic Development Emerge as Top Themes at Detroit Month of Design, „Metropolis”, 30.09.2019, <https://www.metropolismag.com/cities/detroit‑month‑of‑design‑2019/> [dostęp: 30.09.2025].
Irfan Hošić
is Associate Professor of art history at the University of Bihać and founder of the KRAK Center for Contemporary Culture. He co-curated Bosnian pavilion at the Venice Biennale in 2013. He is the author of two books: Iz/van konteksta (Connectum, Sarajevo 2013) and Slika krize (Buybook, Sarajevo 2025). He was curator-in-residence at the Singapore Art Musem (2024), Fulbright Visiting Scholar at the College for Creative Studies and Wayne State University in Detroit (2019/2020). Hošić holds the Igor Zabel Grant Award (Igor Zabel Association for Culture and Theory, 2024), Patterns Lectures Award (Erste Stiftung and WUS Austria, Vienna/Graz 2016) and the Culture Watch Award (BIRN, Belgrade 2012).
ORCID: 0000-0002-6623-2993
